My Picks, Week of 12/15


Long weekend, didn’t have time to post (holidays and all). Avengers was delayed this week, but Emerald Knights is a carry-over, so there’s that. With no Avengers, this looks like an all-DC week!


Green Lantern #60
I’ll admit, this book hasn’t really been setting things on fire the last couple of issues, but Johns knows how to hook people with a mystery. I’ll keep reading to find out what the deal with the Indigo Tribe is, as well as who the mysterious being collecting them is (my guess is Appa Ali Apsa, The Mad Guardian, knowing Johns’ propensity for re-using old characters).
Batman and Robin #18
Paul Cornell wowed me with his first issue in this arc, to the point where I found myself saying “wait, this is a fill-in story??” I wasn’t planning on picking up this book regularly once Morrison left, but they’ve got me hooked for this arc, at least.
Birds of Prey #7
Birds of Prey and I have a complicated relationship. I always find it to be well-written, but I rarely find it to be particularly interesting. It tends to focus on the friendship between all the various Birds, which is great but the action/adventure has a tendency to suffer because of that sometimes. I love Gail Simone’s work, I think Secret Six is absolutely fantastic, I just don’t think this is my usual cup of tea.
However, this new storyline starting has been getting a lot of good buzz, and I’ve got about 12 friends on Twitter who may murder me if I say anything against this book, so I’m keeping an open mind and giving it another try. Plus, a bad-ass Batman cover.
Supergirl #59
Boy, I’ll miss Sterling Gates on this book. Before he came along, the new Kara Zor-El was a mess of psychoses, indecision and a hefty dark side. Sterling took over and made me excited for Supergirl for the first since Linda Danvers was erased from continuity (I’m still pissed about that one). This is Sterling’s last issue, and I’ll be sad to see him go.
Time Masters: Vanishing Point #5
I know, I know, this barely has anything to do with Return of Bruce Wayne as advertised, but if you look at it, it’s basically the continuation of the previous creative team’s Booster Gold run. Maybe it’s nostalgia that I can’t give up on Dan Jurgens, but I’m still checking this one out. I like his take on Booster (not surprising, given that he created him), and the time travel story with Rip Hunter is pretty nifty, in this writer’s humble opinion.

REVIEW: Batwoman #0 – “Beyond A Shadow”


Batwoman 0, cover by Amy Reeder


So obviously, this site is still pretty new and we’re still figuring out what works and what doesn’t. As far as comic reviews, we’ll be posting reviews of our pull list and then any other comics that catch our eyes. These will be both new and old comics, but we’ll do our best to put reviews of new books up on Wednesdays in case anyone wants to use the review to help them decide what to pick up or not. We’ll also be using a 1-10 scale for review. Some of that may change, and we welcome constructive feedback, so comment away!

Our inaugural review is DC’s Batwoman #0, from the creative team of J.H. Williams, W. Haden Blackman, Amy Reeder and Richard Friend. As you may recall, DC announced a few months ago that they were proceeding with a Batwoman on-going but without the guiding hand of Kate Kane’s original writer, Greg Rucka. The announced replacement writer? None other than the artist who created the beautiful look of Batwoman’s run in Detective Comics, J.H. Williams. If you missed that run on Detective, go get it! It’s collected in trades and, while a little overly goth-looking, is completely gorgeous and a great story.

But enough about how great an artist Williams is, how does he stand up as a writer? Well, it’s worth pointing out that Williams (who is still the artist for “half” of the book… more on that in a minute) is co-writer with Haden Blackman, a noted Star Wars writer for Dark Horse. The credits don’t break down Plotter vs. Scripter, so it seems to be a joint effort from both of them.

The difference in style between Williams' Batwoman panels and Reeder's Kate panels

The book’s layout is remarkable, with most pages being half-Batwoman, half-Kate in her personal life. Williams continues his trend of artistically dividing the panels, such as jagged diagonal lines dividing the top half from the bottom. It’s these divisions that also alternate between Kate and Batwoman, providing contrast both in the art style and the story content (action vs. character).

The story itself is much what you’d expect from a zero issue. A recently returned Bruce Wayne is investigating Batwoman, trying to verify that Batwoman is in fact Kate Kane. As Batwoman battles the Religion of Crime at night, Bruce goes undercover to follow Kate about her civillian life. Be warned, the story itself is only 16 pages, with preview artwork of the upcoming issues and a Detective preview taking up the remaining pages. Still, the cover price is down to $2.99, so it’s on par with most DC/Marvel these days.

Williams and Blackman write a convincing story with good dialogue (the majority of it is Batman voice-over as he investigates). Batman’s on-character and Batwoman’s history is retold in a smooth way that never feels like exposition. Williams’ artwork is as good as ever, highly stylized and interestingly laid out. Reeder and Friend’s artwork is also stylized though in a more traditional comic book style, but is similar enough to Williams’ style to provide contrast without looking like completely different characters (for instance, she draws a pale, fairly goth-looking Kate but still makes her work in a world of more traditional-looking characters).

On the topic of Kate in general (if you’ll indulge me in some grousing), I’m still a little disappointed that they decided to make Kate such a “gothic doll” back in Detective. When she first appeared in 52, she was a long-haired, tan, super-model-type. Yes, this depiction of Kate makes more sense for her character and Rucka did write in a scene explaining why she looks so different now, but it still kind of irks me that it’s such a jarring change. I’ll balance that fairly minor gripe with this praise: I can’t think of a more identifiable and realistic lesbian character in comics. I think the thing that makes her work so well is that her being a lesbian is almost never brought up and not the sole focus of her stories, unlike so many LGBT characters. Remember when Judd Winnick brought in that gay assistant for Kyle when he was writing Green Lantern? The kid had no reason to be there except for Winnick to get up on his high horse and beat us over the head with his heavy-handed pro-gay message. I have no problem with comics teaching socially-conscious messages, but they should do it with more skill than a below-average after-school special. And I think the way they handle Kate is superb: she’s gay, but that’s the least of her notable traits.

As far as this issue goes, I give this an 8/10: a great catch-up with gorgeous art, but definitely a preview of things to come rather than a good story on it’s own. With DC’s lax editors and catering to artist’s demands, I wouldn’t be surprised if Williams’ combining art and writing chores delay this series from time to time. Hopefully Blackman handling half the writing will allow them to make deadlines. Even if not, the occasional delay is probably okay with me if the quality of the art remains up to the high standards Williams has already set.

For further reading:

  • Batwoman: Elegy: The collected edition of the run in Detective Comics I mentioned above. The first time we really get into the meat of Batwoman’s character.
  • DC 52 vols 1-4: The first appearance of Kate as Batwoman and the introduction of the Religion of Crime. There’s a lot going on in this 52-issue mini-series, and while all of it is good, Batwoman’s story comes in and out.
  • Crime Bible: Five Lessons of Blood 1-5: Doesn’t appear to be collected in trade, but this 52 Aftermath mini-series was written by Rucka and gives further detail on the Religion of Crime and involves The Question (Renee Montoya) and Batwoman
  • Final Crisis: Revelations: While Darkseid conquers Earth with the Anti-Life Equation, the Religion of Crime finds an exemplar in the form of Vandal Savage. A great story featuring The Question, The Spectre and Batwoman


    Also of note is the Chase series from the 90s. Most people will point you to Morrison’s Seven Soldiers as a great example of Williams’ artwork, but I think his work on Chase deserves a second look. I believe there’s a trade coming out of the first few issues, or maybe a DC Comics Presents reprint. Check it out if you can’t track down the original issues.

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